Having seen how my mental states were hidden in the marks of my drawings, I used every opportunity to observe and study first hand the relationship of mind to making. I was 22 years old and impatient; I made my drawings in extremes of anger, depression, and non-ordinary states because they felt real, the reflections more pure, and 'who I was' seemed more apparent. Imagine a mirror, unerring but delayed in time, that revealed so much. How would you pose in front of it?
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