6.29.2011 We have a fundamental problem when making Art. We must find a material that will accept and convey our imaginative energy. Our ideas must mix with matter.

Now we have a character, the harlequin, available to act out our story. But how does he enter the plot? What is he made of? A complex cosmogenic moment is needed to interface worlds.

The harlequin, ever enthusiastic and athletic, takes matters into his own hands and eagerly dives into the phylogons. But the diamonds of his costume become entangled with mountains and oceans. There is a serious problem with size. The harlequin is still an archetype and largely living in my imagination. He is too big to walk on Earth. How can we make him smaller? If we find enough details about who he is and why he is here we could know him as an individual human being.
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