What is a divination drawing? Home Free email subscription


September 2012


September 2012



9.1.2012


How many moments do you get? Turning off the iPad, the tv, the radio, the iPod, the iPhone, the browser, www, email, aol, yahoo, gmail, twitter, Facebook (of course), beepers, faxes, plain old telephone, the news, the sports, the weather, the family, the parents, the children, cousins, children of children, friends of children, families of friends, book group, quilt group, church group, coffee club, drinking buddies, and besides that all the time spent at work? How many moments do you sit and allow yourself in an hour, in a day, in a week, in a month, in a year, in a decade, or a lifetime?

How often is everything still, attachments detached, space without noise, heart settled, intention resolved, attitude positive, no embarrassment, no doubt, no hesitation? How many moments focused, ego quiet, and open? How many times turning inward without doing? How many touches to the infinite?

And how precious each jewel?
9.2.2012


Getting congruent with the person inside.
9.3.2012


While listening to stories describing practice I heard, "In learning, you add day by day; in the studio, you reduce day by day"
9.4.2012


Cool drifts through the screen door alerting bare legs to seasonal cycles shifting.
9.5.2012


9.6.2012


Remaking the man. Shifting planes. Fitting pieces. Seeing what works.
9.7.2012


Journey broadens; one thousand eyes looking in.
9.8.2012


The inner life, easily shifting, reshaping, subject to storms, consumed by vortices, an illusion of fashioned flow.
9.9.2012


Letting go and waiting for integration.
9.10.2012


Group meeting at the river.
9.11.2012


While working out a compositional problem using positive and negative space I hear the Heart Sutra ringing in my ears, "...form is emptiness and emptiness is form..."
9.12.2012


Multiple vessels.
9.13.2012


9.14.2012


9.15.2012


9.16.2012


9.17.2012




I sit with the rain
Door open
Dampness under my clothes
No barriers


I smell Louisiana
In the warmth
And not so much the scent
As the fullness


A squirrel in an awkward posture
Raised on hind feet, back arched
Digging with his front paws in the softened dirt
Nervously buries new year's lunch


9.18.2012


Afternoon light.
9.19.2012


9.20.2012


9.21.2012


9.22.2012


9.23.2012


Looking into the deep and holding secrets close.
9.24.2012


Did you hear the one about the intersecting mobius strips?

Why does laughter occur?
9.25.2012


Drawing practice takes place in the studio; creative process happens everywhere.

Images pass in and out of my attention every day while I'm online, watching TV, driving, dreaming and drawing. My job is to constantly search this visual space for something special and only rarely do I find myself in close proximity to an attractor, an image or idea that holds on, persists in the imagination, pervades my thinking in and out of the studio, and appears as a unifying pattern. When this icon, singularity, and totality symbol finally emerges from the noise, I sit with it, rest with it, resist it, question it and hopefully am able to turn toward it fully and pass through it with enough openness to comprehend the expansiveness it represents.
9.26.2012


Seeing a river and entering the stream.
9.27.2012


9.28.2012


Discovering new territories and finding them already fully populated.
9.29.2012


Watching a new image take flight.
9.30.2012